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Isola Disney climbed the hill, an easy matter to light-footed twenty. She stood amidst the tall fir columns, and looked down at the November landscape, very distinctly defined in the soft, grey atmosphere. She could see the plough moving slowly across the red earth in the fields below, the clumsy farm horses, white against the deep, rich red. She could see the winding river, bluish grey, between its willowy banks, and far off beyond Fowey there rose the wooded hills, where the foliage showed orange and tawny and russet between the blue-grey water and the pale grey sky.

There was a thick chestnut copse upon one side, and the wide expanse of undulating turf, with an occasional clump of choice timber, upon the other. The house stood on higher ground than the park, but was hemmed in and hidden by shrubberies that had overgrown the intention of the landscape gardener who planned them. Only the old grey-stone gables, with their heavy slabs of slate, and the tall, clustered chimneys, showed above the copper beeches, and deodaras, the laurels, and junipers, and Irish yews, and the shining masses of arbutus with crimson berries gleaming amongst the green. Isola had never seen that old Manor House nearer than she saw it to-day, from the path, which was a public right of way through the park. She knew that the greater part of the building dated from the reign of Charles the Second, but that there were older bits; and that about the whole, and about those ancient rooms and passages most especially, there were legends and traditions and historical associations, not without the suspicion of ghosts. The Mount was not a show place, like the home of the Treffrys at Fowey, and of late years it had been very seldom inhabited, except by certain human fossils who had served the house of Hulbert for two generations. She had often looked longingly at those quaint old gables, those clustered stone chimneys, likening the house amidst its overgrown shrubberies to the Palace of the Sleeping Beauty, and had wished that she were on friendly terms with one of those drowsy old retainers.

After this there came a brief silence. Mrs. Mayne stood straight and prim behind the tea-table. Nothing would have induced her to sit in his lordship's presence, albeit she had dandled him in her arms when there was much less of him than of the cambric and fine flannel which composed his raiment, and albeit his easy familiarity might have invited[Pg 14] some forgetfulness of class distinctions. Mrs. Mayne fully understood that she was wanted there to set the stranger at her ease, and she performed her mission; but even her presence could not lessen Isola's shyness. She felt like a bird caught in a net, or fluttering in the grasp of some strong but kindly hand. She sat listening for carriage wheels, and only hearing the dull thumping of her own scared heart.

He discovered her suddenly while he was shaking hands with Belinda, and his quick glance of pleased surprise did not escape that young lady's steely blue eyes. Not a look or a breath ever does escape observation in a village drawing-room. Even the intellectual people, the people who[Pg 43] devour all Mudie's most solid books—travels, memoirs, metaphysics, agnostic novels—even these are as keenly interested in their neighbours' thoughts and feelings as the unlettered rustic in the village street.

"Why? Because I could not give you back that card without some token of my passion—with only commonplace entries which Jones, Brown, and Robinson might write there. I want you to feel that you belong to me, somehow, in some way, as the spirits of the dead and the souls of the living belong to each other sometimes, by links which none can see. When I am at the other end of the earth I want to feel that there is something, if it were only a word, like a masonic sign, between us; if it were only a promise that in such or such a phase of the waning moon we would each look up and breathe the other's name."

Isola had worked in the garden with her own hands ever since the beginning of spring, the first tender opening of Earth's heavy eyelids, her first pale smile of snowdrops, her broad laughter of daffodils, her joyous peal of bluebells, and[Pg 83] riotous mirth of May blossom. She had toiled in the sweat of her brow so that the garden might be beautiful at mid-summer: for early in March there had come a letter full of rejoicing from that distant hill-kingdom, and she knew that the year of absence to which she had looked so hopelessly last November was commuted to half a year.

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